Archive for the ‘Writing’ Category

The End of an Era

Friday, June 3rd, 2011

Well, it’s been exactly six months since I’ve heard from Kent Kunitsugu.  After eight years of being in nearly every issue – fifty-three stories – I think it’s fair to say I no longer write for Sport Rider magazine.

It was a cool gig while it lasted.

I’m proud of what I accomplished.  From the very beginning I sought to illuminate those motorcycling issues that I thought were important.  To describe the lessons, the joys, the often subtle nuances, that slowly presented themselves to me over three decades and hundreds of thousands of miles.  To share the bag of talismans I had been given.

More than anything, I tried to convey the magic – what it was like to actually be in the seat… running fast through nice country on a good bike on a fine road.  To wield well that incredible vehicle that so many of us love so passionately.

I’m grateful to Kent.  First for personally saving Sport Rider twice – initially in the late nineties when the original staff at the magazine was fired following an in-house imbroglio; and then a decade later after Andrew had his horrific crash up on the Angeles Crest.  In both cases Kent was called upon to put together nearly the entire magazine by himself, over many issues and for long spans of time – a herculean task that too few people today appreciate.

And then, when I came along in the summer of 2002, for being open-minded about things.  Previously, the Benchracing column had been reserved for guest authors – one-hit wonders who would drop a story and then be gone.  Despite that well-entrenched let’s-hear-from-lots-of-different-people-with-lots-of-different-perspectives formula, Kent didn’t hesitate in shaking things up – allowing me to begin dropping my byline there in the back of the magazine issue after issue.  With only a handful of exceptions, for those eight years the Benchracing column became the ‘Jeff Hughes’ space.

Not only that, Kent gave me room.  Most regular columns in most magazines are on the order of 800-900 words and run little more than a page.  Benchracing was no exception.  When, after my first two submissions, I asked for more, Kent didn’t hesitate.  He allowed me to wax loquacious with 1500 and 2000 and even a couple of 2500 word pieces.  To those who know the magazine business, and how precious editorial content  is, that was a rare gift.

I hope I returned the trust that Kent gave me.  I think I did.  I always – save one I-somehow-forgot-the-date-and-was-a-day-late-miscue – made my deadlines.  I always figured  Kent had enough headaches putting together each issue without worrying whether his contributors were going to get their stuff in on time.  I always tried to act like the professional we’re all supposed to be.

More than anything, I tried to craft good words.  To create stories that were polished and error-free and ready to publish.  To provide, in the words of the old newspaper dictum, ‘clean copy.’

And so why did it end?

I really don’t have an answer.  Kent hasn’t offered an explanation and I’m not inclined to ask for one.  But given the very challenged state of magazines and newspapers today, I could surmise that Sport Rider is facing declining ad revenues even as they were finally able to add a third full-time staffer – Bradley Adams joined the magazine late last year.  Since the amount of editorial content a periodical can publish is directly driven by those ad revenues, Kent may simply not have any space left over after he and Andrew and Brad have done their thing.

Just a guess.

Or maybe, as a friend of mine pondered in an email a few weeks ago… “Did Kent fire you? I  think he finally figured out you are a beer drinkin’, gun totin’, woman chasin,’ unPC, Harley rider!”

That might be it, after all.

The Immortality of Words

Wednesday, September 22nd, 2010

Fifteen years ago I read a book called The Writing Trade, by John Jerome.  It depicted, journal-style, a year-in-the-life of a writer.  I loved it because it spoke to all those writerly things to which I had long aspired, ever since I was a teenager.  Here was someone doing what I so very badly wanted to do – write for a living.

A few days ago I pulled it off the bookshelf and began reading it again.  And very quickly, just like fifteen years ago, I was pulled into that world of of the minutiae of writing.  What it meant to be a writer on a full time basis.

Halfway through the book, I decided to see what John Jerome had been up to.  To see what other stuff he might have published since that 1992 publication of The Writing Trade.  Google can be a wonderful thing.

Alas.

John Jerome was dead.  Thirteen years after the year he depicted in his book, twelve years after he wrote it, ten years after it was published, and seven years after I read it – John Jerome had died.  Lung cancer had come calling.

It was a sobering context with which to finish the book.

One of the things John came back to frequently was the financial struggle.  Writing had afforded him the luxury of a lifestyle that many of us – and he himself – would consider blessed.  But it had not graced him with much financial certitude.  He lived pretty much week to week, depending upon the next freelance-work check to arrive in the mail.

I can empathize with that.  After writing for Sport Rider for eight years I can attest that anyone who does it for the money must have rocks in their head.  I certainly appreciate the check that follows a story submission – and I’ve always joked that those checks pay for my tires (and they do) – but the notion of actually trying to make a living from such a relative pittance is laughable.  I don’t write fast enough that, even were there enough similar monthly gigs, I could manage even a lower-middle-class living.

John Jerome was a good-to-excellent writer who, despite a lifetime of work at it, never really made it.  There are few that ever really do.  Even Hemingway lived well not because of the remuneration from his writing, but because of his penchant for marrying rich women.

Doesn’t seem quite right.

But then again, as I finished the last half of The Writing Trade, aware that John Jerome was no longer with us, I was more aware than ever of the immediacy of the words he had written.  That the voice he laid down on paper back in 1990 carried down over two decades, until now, even past the grave.

Maybe that’s why we do it.

Submitting a Story

Monday, May 18th, 2009

A little while ago I submitted my latest Sport Rider article to Kent (the editor).  It’s always a good feeling when I get that done.  I’m not sure whether it’s more from pleasure or from relief.  Probably a combination.

I love words.  I love it when I’ve worked them into an order that has a rhythm and a cadence and which says something I’m interested in.  I love having written.

But the process of writing itself can be frustratingly difficult.  I’m a good writer (I think).  But I’m not an especially fast writer.  It’s not like I sit down and quickly bang out a story.  The words have to be teased out.  And then wrestled into place.  It’s a laborious process.  You love it when you’re done, a new story in hand.  But only when it’s over.

Since the only chance I ever get to write is on the weekends, I’m not unhappy when we have some crappy weather which happens to correspond with a deadline.  And so the unsettled weather we had this weekend was fine with me.  Finish the draft of the story I started last weekend.  Read it one last time when I get home from work.  Send it along.

Crack a cold beer.